The action continues and the shot still holds, the line between sunlight and shade visible as it rolls away across the desert, until finally a new line slides under the camera and sun breaks over the actors once more. The wide holds as clouds roll over the sun. Incidentally, there’s an amazing desert scene in the episode “Crawl Space” where a sunlit close-up cuts to a big wide. “It was always in his mind that this was a Western in the style of Sergio Leone and the Italian Neo-realists.” “ Vince is a student of cinema and knows movies like the back of his hand,” says DP Michael Slovis, ASC. When we think of horizon placement we are probably concerned with big wides, where creating a mood for the scene or setting is more important than visualising a character’s power or lack thereof.īreaking Bad is an example of a series that predominantly chooses low horizons to show off the big skies of its New Mexico locations. is this a low or a high angle? Even a GCSE media student can tell you that a low angle imbues power while a high angle implies vulnerability, but these are terms most applicable to closer shots. Horizon placement is closely tied to two other creative choices: headroom, which I dedicated a whole article to, and lens height, i.e. Meanwhile, Homeward Bound positions its horizon somewhere beyond the trees near the top of frame, drawing attention to the sand and the wheel ruts and indeed to the figures of the caravan itself, rather than to the destination or surroundings. At Grey Dawn emphasises the sky by placing the horizon low in the frame, creating a sense of space. These two images, perfectly paired, demonstrate contrasting horizon placement. Amongst its pages I found another diptych, one created by the book designer rather than the two entirely separate photographers: This was a deliberate echo of the painting “Above the Clouds” which appears in the film and provides the thematic backbone.Ī year or two after shooting Clouds, I came across Photograms of the Year: 1949 in a charity shop. And this is an excellent reminder that the horizon does not exist in a vacuum like anything else, it must be judged in the context of the aspect ratio and the other compositional elements of the frame.įor Leon Chambers’ Above the Clouds ( out now on Amazon Prime and other platforms!), I placed the horizon centrally several times: The talented photographer and vlogger Arian Vila, however, describes the merits of a central horizon when composing for a square aspect ratio. The technique is also at odds with the Rule of Thirds, though as I’ve written before, that’s not a rule I place much stock in. This article by Art Wolfe, for example, argues that it robs the image of dynamism, sending the eye straight to the horizon rather than letting it wander around the frame. In practice, a central horizon is not a popular choice. After all, in our day-to-day life, when we look straight ahead, this is where it appears to be. You would think that the most natural position for the horizon would be in the vertical centre of the frame. In this article I will take a metaphorical ramble through these possibilities, and ponder their effects. In reality there is no right and wrong in composition, only a myriad of possibilities that are all valid and can all make your viewers feel different ways. I wanted to put the horizon nearer the top of the frame than the bottom, and he felt that this was the wrong way around. It will also feature Pearl Mackie and Amanda Khan.I once had an argument with a director about the composition of a wide shot. The film stars Allison Williams as Sara, Alexander Dreymon as Jackson, and Keith David as Wyman. RELATED: Allison Williams Reuniting With Blumhouse for Doll Horror Pic M3GANįrom the creators of 10 Cloverfield Lane and The Shallows, HORIZON LINE is a thrilling survival story about two former lovers, Sara and Jackson who discover new altitudes of fear aboard a single-engine Cessna plane. It was supposed to be a routine and casual 99-minute flight to their friend’s tropical island wedding. But within minutes after takeoff, their pilot suffers a fatal heart attack, leaving Sara and Jackson with no idea where they are, no comms, and no clue how to land the plane. With nothing but miles of ocean and sky in every direction, and a terrifying storm that’s about to envelop them, Sara and Jackson have only one shot – and there’s no going back. STXfilms has released the official trailer for their upcoming survival thriller feature titled Horizon Line, featuring Get Out star Allison Williams and The Last Kingdom star Alexander Dreymon as their characters try to fly a plane through a terrible storm.
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